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Visual Development Grad: From Passion to Pro in Children’s Books

Michelle Laurentia Agatha, a graduate of Academy of Art University’s School of Visual Development, fondly recalls being read to by her parents. Children’s books allowed her to expand her visual imagination while also serving as a source of entertainment.

Today she’s applying that experience for a global nonprofit organization as a professional illustrator of books for young people.

A boy sits on a tree branch surrounded by animals, including a raccoon and birds, in a forest. Text bubbles read: "Deep in the forest... Look Hansel! I made lots of friends!" Sounds like "Squeak!" and "Brrr" are near animals.
Hansel and Gretel, illustration by Michelle Laurentia Agatha

During her time at Academy of Art, Agatha enrolled in classes taught by School of Illustration instructor Julie Downing, where she learned the disciplines of involved in creating children’s books. That led to her falling “in love” with developing art for them, she says.

A mouse wearing a hat sits at a table, surrounded by colorful leaves. He samples food, looks displeased, and says: "The city mouse took a bite of the village food. 'I don’t like it!' he said."
Village Mouse and Town Mouse, illustration by Michelle Laurentia Agatha

Internship Leads to Employment

After graduating from the Academy with a BFA in 2019, Agatha began interning at a nonprofit called Room to Read, an organization recommended to her by Downing. Room to Read works with underdeveloped countries to publish children’s books in local languages and to provide support for girls’ education. “I’m working in the literacy [section], where we help illustrators and authors in nine major country offices around the world,” she reports.

Child observes whimsical underwater house made from coral and shells, surrounded by seaweed and a colorful fish, in a dreamy, dimly lit oceanic scene.
Environment painting by Michelle Laurentia Agatha

“We help illustrators and authors in those countries who are not as privileged, so they can produce their own books.”

For a Laotian textbook, Agatha created illustrations in the book as well as the cover. She has also contributed illustrations for other children’s textbooks. In addition to illustrating, she has contributed editing of the English translations of the books.

Character named Romeo, wearing a blue outfit and hat, holds a wilting flower. He is seen from the front and back against a plain background. Text reads “Romeo.”
Character study, Romeo and Juliet, by Michelle Laurentia Agatha
A cartoon character named "Juliet" is depicted from the front and back. She has red braided hair, a pink dress, and a blue cape, set against a beige background.
Character study, Romeo and Juliet, by Michelle Laurentia Agatha

Reviving Children’s Classics

Another project Agatha worked on was creating an illustration workshop for Room to Read’s office in San Francisco. “The people from each department were grouped into teams, and each of the teams created its own version of classic fairytales such as Cinderella, Rapunzel and others,” she explains. Next, “we helped each team create quick character designs and half-sized book dummies. We chose the best three books and illustrated them.”

A person stands smiling in the foreground, holding a bag, with colorful illustrated posters featuring characters and scenes in the background. Text on clothing reads "Stussy," and artwork credit is "Nicolesyme."
Michelle Laurentia Agatha

Three months into her internship, Agatha was offered a fellowship with the nonprofit, and Downing couldn’t be prouder of her. “They liked her so well, they created a job for her,” says Downing. “They’ve never had a fellowship before. Now they do, so she can be paid and work full-time there.

Cartoon boy's head displays six different emotional expressions numbered 1 to 6 against a teal background: happy, surprised, sad, shocked, angry, confused. Below, multiple color swatches are shown.
Expression sheet, illustration by Michelle Laurentia Agatha

“Just the fact that she could enter this very busy, somewhat chaotic work environment and get right in there and start working…. She’s quite amazing that way, and she’s using a lot of her illustration skills as well.”

A young magician, wearing a top hat and robe, points a wand at a large, magical fish creature hovering in mid-air, with a glowing orb and wizard hat.
Illustration by Michelle Laurentia Agatha

Learned Skills: The Basis of Professionalism

She credits the Academy for preparing her for this opportunity and future illustration-related endeavors. “I learned a lot about the importance of language, composition, visual hierarchy, colors, and basically, about the base of creating good design and good illustration,” says Agatha. “I bring [those skills] here as an employee to try to make the design as good as possible and help others.”


Original article by Caroline Andrade of Academy Art U News, https://artunews.com/

Images courtesy of Michelle Laurentia Agatha

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