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School of Music Production & Sound Design for Visual Media
Director of the School of Music Production & Sound Design for Visual Media
Bradley Hughes has over 23 years of experience in sound design and music production as a composer, saxophonist, and recording engineer for a wide variety of production environments. He has provided music and sound services to clients including Dreamworks, The Hollywood Edge, Creativity Studios, and 13th Generation Productions.
Prior to moving to the Bay Area, Brad spent a decade in Los Angeles as a studio musician on film and television soundtracks, frequently recording on the 20th Century Fox and Warner Bros recording stages.
He is a voting member of the National Academy of Recording Arts & Sciences, which hosts the annual Grammy Awards, and serves on the Education committee of the NARAS San Francisco chapter. He holds a BFA in World Arts & Cultures from U.C.L.A., and an MFA in Music from The California Institute of the Arts.
Full Time Faculty, Curriculum Coordinator
Dirk Epperson has worked for the entertainment industry for over 40 years. He has worked with many major theaters, symphony orchestras, opera companies and professional singers in both North America and Europe. He has also worked in television and with well-known composers.
His musical expertise is as an Arranger and Orchestrator, working in genres including Classical, Film Scores, Musical Theater, Opera, and Pop. He also has a focus on music technology, and especially on creating orchestral mockups using sampling technology in order to get the most realistic possible sound.
Dirk has instructed at AAU since 2012. As Music Production Curriculum Coordinator he is engaged in helping the department expand and adapt the course offerings for an ever-changing 21st century musical and technological environment. He has an M.F.A. from Yale University.
Full Time Faculty, Curriculum Coordinator
Steve Romanko has over 25 years of work within the entertainment industry. His background includes work in radio, television and motion pictures. Steve's creative skills led him to a position at Skywalker Sound, the audio division of Lucasfilm, where he worked on over one hundred feature films, including Star Wars, Titanic, Saving Private Ryan and Fight Club.
This background in sound, gives Steve an interesting perspective that permeates his writing, producing and academic efforts.
His creative pursuits have been directed toward writing feature screenplays and bringing talented individuals together to form a strong production and post-production units. His work has been screened at festivals to both domestic and international audiences and on television worldwide.
Steve has instructed at AAU since 2001. As Sound Design Curriculum Coordinator he helps the department by creating and instructing classes that lead student artists in twenty first century technologies and aesthetics.
Hoam Lee has over four years as an Administrator, focusing in the education and start-up nonprofit fields. Her background in spans a wide range of skills from event planning, customer service, bookkeeping, social media communications, project management, and team building.
Before become Administrator for MUS, Hoam taught Elementary School Art and Music, lending support to her understanding of school systems and structures. Working directly with almost a hundred students, while being a liaison for faculty and executives, shapes her direct yet understanding communication style. Her interest and knowledge in Music and her understanding of the school environment has spurned her forward to supporting the School of Music Production and Sound Design for Visual Media here at AAU.
Outside of the work environment, Hoam can be found learning and playing electric guitar, cooking up a delicious meal or painting beautiful sceneries.
Jeremy Lewis has over 8 years of work within the music industry. After graduating from Vincennes University, he then took his passion for music even further by going to Nashville and being trained by Shawn Simpson and Ed Seay on the fundamentals of mixing and mastering.
He then spent the next 6 years instructing Audio Engineering and Pro Tools Certification. Jeremy is an instructor certified by AVID for Pro Tools editing systems, and spends time refining all of these skills by mixing engineering and producing, numerous demos, EPs, and albums.
Jeremy has worked with top industry talent such as Franklin Vanderbilt, the drummer for Lenny Kravitz, Ronald Bruner Jr., the drummer for Stevie Wonder, Prince, Stanley Clarke, and MTV reality star Taquita Thorns. He was also the lead engineer for Grammy winning producer, Dennis Mackay in Hollywood, CA.
His musical skills include piano, guitar, bass, drums and percussion, lead vocals, background vocals, and harmonies. Jeremy has also had experience in the studio on multiple occasions as a session drummer, guitar player, bassist and background vocalist.
Jeremy joined AAU in 2013. As the Technical Supervisor, he is responsible for facilitating and maintaining all of the equipment in the Music Department.
Lead Lab Technician
Tyler has been fascinated with recording sound for as long as he can remember. At an early age he began recording the sounds of his daily environments and archiving them on cassette tapes. He still continues this practice, and incorporates these field recordings into his music.
His B.A. in Audio Production and Music Technology from The Evergreen State College in Olympia, WA has led him to compose and direct independent short films. Tyler has also produced music for nationally aired commercials, and composed for performing dance companies. He can generally be found in the woods with his dog, experimenting with analogue synthesizers and tape, or cooking an extravagant feast.
In demand for his uniquely global sound, Grammy nominated Alexander Adhami, also known as Alex Plays, has composed for Harpo Productions, Food Network, Warner Chappell's Non-Stop Music, Universal's Music Group and other outlets spanning motion pictures & television, internationally.
Alex is an accomplished instrumentalist & vocalist, specializing in stringed instruments. For the better part of a decade he has been involved in the production of Cirque inspired World Music, beginning with Cirque EOS' "Acrobats and Maniacs" and can be heard on Cirque du Soleil's "Totem".
He has toured internationally and starred with Steve Reid, in Dreamscapes and has worked with the likes of Joe Cocker, arranging and recording world instruments. His collaboration with Kitaro was nominated for" Best New Age Album" at the 50th Annual Grammy Awards.
Lincoln Andrews has been immersed in the audio production process for over 10 years. Moving through the years of advancement in digital audio workstations, he is operator certified in both Pro Tools and Logic Pro.
Lincoln has a strong background in recording, mixing, and producing music. After graduating college with Bachelors in Sound Arts, his credentials landed him a head engineering position at Russian River Records, a professional sound studio. He has been a part of the production process for hundreds of recordings, ranging from reggae to jazz, hip hop to classical, and post film to guided meditations.
Also being a serious musician, Lincoln has the hands on experience of what it’s like to make records from start to finish. Starting with the practice, the jam, to the composition. Then going into the studio to record, mix, and master a final product.
Lincoln’s goal in his Music and Audio Production courses is to teach the students how to express themselves creatively and fluently within the given software. Whether it is composing music for film, or mixing a multi-track session, students will be able to flow through the project with ease and finesse.
Mike brings expertise from three dozen, Oscar nominated feature films, including Star Wars, Moulin Rouge, The English Patient and Titanic. He was also nominated for a Motion Picture Sound Editors Golden Reel Award for his work on Moulin Rouge.
As a digital content professional with a successful career as an innovator in video, technology, Web content and motion picture audio, he has done groundbreaking work on behalf of such companies as Perforce, Energy Recovery, Nokia, Salesforce, Google, Facebook, LucasFilm, 20th Century Fox, Genentech, and the California Health Department.
Mike is the founder & CEO of One to One Box, an award-winning production company dedicated to expanding the potential of online video for businesses and entrepreneurs, and DOOF (food spelled backwards), a multimedia initiative designed to get kids excited about healthy food. Mike began teaching at AAU in 2011 and has taught classes in motion picture audio and multimedia.
A member of Nashville Local 257 A.F. of M, NARAS, BMI and CMA, Eric Bikales has composed music for A-Team, Hunter, Boston Legal, Buffy the Vampire Slayer, Sabrina the Teenage Witch, Sliders, Alley McBeal, Harry's Law, Party of Five, My Name Is Earl and many more prime time TV shows. Movie credits include: Sweat! Sabrina Goes to Rome, DeLovely and just finished scoring a modern comedy entitled "If-Then Scenario".
Eric has released 4 CDs as a solo artist and just released his first solo piano CD entitled "Follow Your Heart". He has performed all over the world in venues ranging from Carnegie Hall to the Royal Albert Hall and has played or recorded with the Pointer Sisters, Tom Waits, Cher, Bette Midler, Neil Sedaka, Helen Reddy, Dolly Parton, Billy Preston, Jeffrey Osborn, Mac Davis and Patti LaBelle. Eric has played on and arranged 2 Grammy nominated records.
He has performed on the Tonight Show, Dick Clark's Rockin' New Years Eve, Today Show, News Radio, Good Morning America and Top of the Pops (England). He co-wrote the official centennial theme song for the city of New Haven, CT and was commissioned several times to write for the University of Arizona's Percussion Ensemble "Cross Talk".
Eric has scored dozens of radio/TV jingles, industrial videos and equestrian freestyles. Eric has also had extensive experience in Los Angeles as a session musician, arranger and producer. He has operated his own project studio for many years. His primary instruments are piano, electric piano, B3, synthesizers and flute. Eric was just inducted into the Kansas Musicians Hall of Fame.
Scott Drapeau has over 10 years of multimedia production and teaching experience. He has worked in film, advertising, theater, and independent cinema. In New York, San Francisco and Tokyo, Scott roles have been sound engineer, camera operator, editor, colorist, musician, vocalist, & actor. His work has been shown worldwide at festivals and international television.
Scott has been an Instructor for the AAU since 2007 and also serves as an Instructional Designer, Music and VideoEditing Tutor, ESL Support Specialist, and occasional Guest Speaker in his areas of expertise. His current passions lie in music production and education.
Steve is a creator of odd but highly accessible sounds and is a diverse and prolific musician. Perhaps best known as a composer and producer for his original soundtrack to the Academy Award-nominated film "Super Size Me", Steve is also a noted expert in the field of sound for games. Since 1991, he has literally worked on hundreds of titles, including a ten-year run as the audio director at Nickelodeon Digital, where he garnered both Webby and Broadcast Design awards. He also has a Grammy award for engineering. He studied composition at the California Institute of the Arts.
Craig Kupka was born in Inglewood, CA. He graduated from UCLA with a BA in music in 1967 and an MA in composition in 1969. As a published composer, he has released 7 CDs of original music.
As a trombonist he has appeared as a guest soloist with the Los Angeles Philharmonic Orchestra, recorded movie and television soundtracks and toured with his own groups. Most recently he was the lead trombone player in the show "From Hoboken to Hollywood" which won the 2010 Ovation award as the best musical in Los Angeles.
Craig has won many awards as an educator including the Glendale Unified School District Educator of the Year in 2004. While teaching at Hoover High School District, his jazz groups won more national jazz awards than any other high school in the nation.
Retired from teaching full-time he is devoting his time to playing, composing and working with his two sons and his wife of 37 years on their new cabin in the mountains.
James Lindsey has had an extensive career as a location sound engineer and recordist on feature films, commercials and corporate productions.
As a freelance sound engineer and producer, James has worked on national/international productions for Oprah, 20th Century Fox, MTV, NBC News, Pixar, Comedy Central, Industrial Light & Magic, WGBH Public Television, and more.
James created Lindcraft Grip and Supply, a manufacturer of quality grip equipment. As chief designer, he invented the "Butterfly Lift Sandbag", which has become an industry standard, as well as many other products for Panavision, Arriflex, Mole Richardson and other prominent Hollywood businesses.
A graduate of San Francisco State University’s Film department, James has 25 + years working, teaching, and writing in the Film and Television industry in the San Francisco Bay Area and around the world.
Scott Looney is a passionate artist, soundsmith, educator, and curriculum developer who has been helping students understand the basic concepts and practices behind the creation of content for interactive media and games for over ten years. He has pioneered interactive online audio courses for the Academy Of Art University. As a musician and composer, he has created compelling sounds for audiences, game developers and ad agencies alike across a broad spectrum of genres and styles, from contemporary music to experimental noise. He has also performed at numerous experimental festivals, designed custom instruments, and created performance interfaces utilizing sensors and microcontrollers. In addition to his work in game audio and education, he is currently researching procedural and generative sound applications in games, and mastering the art of code.
Carla Lucero is originally from Los Angeles and graduated from CalArts in 1986 with a BFA in Composition. After college, Carla became the Director of Music at Hal Roach Studios, in Hollywood. She also spent 5 years as a composer in residence at Collage Dance Theater, during which time she won the Lester Horton award for "Best Composition in a Dance Production".
Before moving to San Francisco, Carla became a partner at Kitchen Sync Studios, recording and doing session work with legendary artists and groups such as Concrete Blonde, Ice-T, Coolio, Mad Kap, and No Doubt.
Carla's love of opera and classical music drew her to San Francisco, where her first opera, "Wuornos" was produced and then premiered on the Main Stage at Yerba Buena Center for the Arts. Her second opera, "Juana", premiered at Theater Artaud.
In the last 8 years, she has been working internationally on several commissioned works in Mexico, Spain, Cuba and Chile. She is also the U.S. Director for the international music consortium, ComuArte.
In addition to teaching orchestration, theory and composition at AAU, Carla also teaches for the San Francisco Opera and for New Traditions Creative School for the Arts.
Jason Martineau is an award-winning composer, pianist, arranger, and instructor, and has been active in the San Francisco Bay Area since 1995. He has composed numerous works for orchestra, chamber ensembles, solo piano, and chorus, as well as a full-length musical, and over 200 songs, both instrumental and vocal. He has recorded more than ten CDs in various genres, and has also been featured on numerous other artists' recordings as pianist, music director, vocalist, and producer. He provides arrangements, original compositions, soundtracks, sound design, accompaniment, private instruction, and musical direction for a diverse and eclectic client base.
Dr. Martineau works in multiple capacities with many different idioms and styles, from world fusion and jazz, to avant-garde, industrial, rock, pop, and classical. In 2007 he orchestrated string arrangements by Vanessa Carlton for her album "Heroes and Thieves". He has authored a book on music theory released October 2008 entitled "The Elements of Music," published by Wooden Books and Walker/Bloomsbury, distributed nationally and internationally. He has been playing the piano for 38 years, performing since 1989 at numerous venues in the San Francisco Bay Area, Los Angeles, New York, and the 10th International Festival of Dance and Music in Bangkok, Thailand. In 2011 he joined the faculty at the Academy of Art University, teaching music notation, theory, film scoring, harmony, and counterpoint.
Dave Nelson's career spans over twenty years in the film, sound and recording industry. His work involves an interesting mixture of documentaries, features, shorts as well as albums (some of which have been nominated for Academy, Emmy and Grammy Awards). It is his intuitive and improvisational style that constantly keeps him in demand as one of the most sought-after sound designers in the industry.
In 1996, Dave embarked on an ambitious partnership with Josh Rosen to create Outpost Film Center at 880 Folsom Street. At this new facility and with a new partnership, Dave and Josh worked on many projects including, "When Abortion was Illegal: Untold Stories", "Dream with the Fishes" and five films with legendary Director Werner Herzog, including "Little Dieter Needs to Fly" and "My Best Fiend". At the same time, Dave and Latin Jazz Producer, Greg Landau recorded a string of Cuban and World Beat CD's, two of which with Patato Valdez were nominated for Grammy Awards.
Later, Dave formed a partnership with Roger Wiersema of Polarity Post Production, and changed the name of his business to Outpost Studios.
In 2012, Dave became an instructor at AAU, where he enjoys teaching everything he knows about sound.
Barnaby Palmer has received critical acclaim both as an orchestral and operatic conductor.
In April 2013 he was appointed Music Director of the Sichuan Symphony Orchestra following his successful debut in March.
Recent engagements include Orquestra Simfonica de Barcelona with Bruckner 3rd Symphony, Roussel 3rd Symphony, Hong Kong Philharmonic Orchestra conducting two different programs during Spring Festival, Les Musiciens du Louvre-Grenoble with Der Fliegende Holl¨nder, and Le vaisseau fantôme for their tour of Grenoble, Versailles, and Barcelona.
Barnaby Palmer has served as Assistant Conductor for the Budapest Festival Orchestra and has participated in numerous European tours.
Since 2002 he has been Artistic Director of San Francisco Lyric Opera and has conducted over 35 new productions with that organization.
Born in Hong Kong and raised in the Bay Area, Barnaby attended Interlochen Arts Academy for High School, Cleveland Institute of Music for his undergraduate degree and University of Michigan for graduate studies.
He has studied conducting with Alan Gilbert, Rossen Milanov, Larry Rachleff and Michael Morgan.
Award winning Indo-Canadian Singer-Songwriter/Composer/Lyricist Raj Ramayya has been a consistently strong force on the international music scene. Collaborating with several distinguished artists ranging from Yoko Kanno (Gundam, Cowboy Bebop, Ghost in the Shell, Wolfs Rain), Tatsuya Oe ( Elysium, Captain Funk, Hotei), Chris Mosdell (Eric Clapton, YMO, Sarah Brightman), and songwriting guru Ron Sexsmith. Ramayya is best known for his contribution to Anime cult movie "Cowboy Bebop" and "Wolfs Rain" , Capcoms "Resident Evil 2 -Biohazard", Konami`s hit series Beatmania and Rythmania, MTV Japans mega hit animation series "The World Of Golden Eggs" Victor entertainments "Gungrave" "Shenmue".
With over 250 TV commercial co-writing, writing, placement and singing credits to his name Ramayya is also an instantly recognizable as the composer/singer for several well known products ranging from Asahi beer and KFC to Volvic, Toyota and Coca Cola. Ramayya's recent credits include 4 top 20 songs on Billboard with a #1 iTunes dance chart hit in Japan as a featured co-writer/vocalist for the internationally renowned Japanese Deep House Music act Studio Apartment. "Strawberry Rainbow" remained on the charts for 6 months at #1.
Daniel Riera is a flutist, bassist, wind-controllerist, producer, composer and sound designer hailing from San Francisco, CA. He is active as a stage performer with groups such as Blind Willies; Marcus Cohen and The Congress; and Ra Data. He's also a hip-hop producer with beats on 2013 iTunes chart topping album, Cardboard Castles by Watsky. Daniel releases his solo hip-hop/electronic music under the alias Tito Tunes.
His musical training began at the age of ten with San Francisco-based flute virtuoso and composer John Calloway, who remains a great influence on his development in Jazz and Latin styles. Daniel continued his studies at San Francisco's School of the Arts High, and Berklee College of Music where he earned his degree in Music Synthesis.
Since 2012, Daniel has been an instructor at AAU teaching Music Notation and Score Preparation. He's also involved with the group Today's Future Sound, which provides music production education to underserved middle and high school communities in the Bay Area.
Kit Ruscoe, originally from Louisville KY, studied Classical Composition at the University of Louisville and Jazz Performance and Improvisation at the University of North Texas. He has over 25 years of experience in composing, performing, recording, and teaching music and guitar and is a member of ASCAP. Kit is currently working on film scoring and compositions for TV and documentaries as well as playing in numerous Bay area bands.
Born in 1981 in Tehran, Iran, Aminikia studied music composition in Russia at the St. Petersburg State Conservatory under Boris Ivanovich Tishchenko, a post-graduate student of Dimitri Shostakovich. In his homeland, Aminikia studied under renowned Iranian pianists Nikan Milani, Safa Shahidi and Gagik Babayan. Being influenced by work with his first teacher, Dr. Mehran Rouhani.
He received his Bachelor of Music and his Master of Music with honors from San Francisco Conservatory of Music under Dan Becker, David Garner & David Conte receiving the Phyllis Wattis Foundation scholarship.
He is the recipient of many various commissions from theatre troops to concert music ensembles, film scores, Persian traditional music groups to jazz bands including Kronos Quartet, Symphony Parnassus, San Francisco Conservatory of Music New Music Ensemble, Mobius Trio, Delphi Trio and the Living Earth.
Aminikia's third string quartet ,"A Threnody for Those Who Remain", commissioned by Yerba Buena Center for the Arts and Kronos Performing Arts Association was described by Financial Times as “An experience not to be easily forgotten".
His most recent project was a second commission for Kronos Quartet called “Tar o Pood” which was a composition based on Persian carpet-weavers works songs.
Lauren C. Sharkey
Lauren Sharkey has been a private instructor and performer for over 15 years. With a background in harp, piano and percussion, Lauren has performed with a number of ensembles including: Sacramento State University and Chico State University Wind Ensembles, Simpson University Sinfonia, Shasta Symphony Orchestra, and the North State Symphony.
In 2003, Lauren won the North State Symphony Young Artist Competition and performed with the Symphony in their 2004 season as a soloist. Lauren holds a B.A. in Music, Harp Performance from Simpson University and an M.A. in Music from Chico State University with a focus on elementary harp education.
Lauren served as adjunct faculty at Simpson University teaching ear training, theory, and introductory music courses. She joined AAU as an adjunct faculty member spring 2014 and looks forward to sharing her excitement for the mechanics of music.
With degrees in Neurobiology and Music (UCSD – University of California, San Diego) and Cinema/TV (USC – University of Southern California), David Sonnenschein applies his unique background to the area of sound design for film and games.
His book Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema has been adopted by schools throughout the world, translated to Chinese, Vietnamese and Korean and will soon be in its second edition including material on interactive media. He is the recipient of the Motion Picture Sound Editors Golden Reel, and since 1998 has offered Sound Design Master Classes in Europe, Asia, and South America, and more recently online webinars to international students and professionals.
Founder of multiple sound design websites, David began his career making educational films for the University of California. He has produced and directed six feature films, many documentaries & short subject pieces. Trained as a classical musician, he has expanded into jazz and world music, and practices sound healing. His most recent career move embraces interactive media as consultant on large video games (EA's Mass Effect) and developer of the music game app "3 Deaf Mice," which calls upon the player to help create a song through sonic treasure hunts, audio puzzles and creative digital sound processing.
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